Leah Koransky Studio

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	<title>Leah Koransky Studio</title>
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	<description>Leah Koransky Studio</description>
	<pubDate>Sun, 28 Dec 2025 23:59:12 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://art.leahkoransky.com/Home</link>

		<pubDate>Tue, 21 Sep 2021 21:49:24 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

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		<title>to see what isn't hard to see</title>
				
		<link>https://art.leahkoransky.com/to-see-what-isn-t-hard-to-see</link>

		<pubDate>Sun, 28 Dec 2025 23:59:12 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

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&#38;nbsp;


Installation for Headlands Center for the Arts Graduate Fellowship Exhibition&#38;nbsp;to see what isn’t hard to see, September 7 –Nov 2, 2025
Screenprints, graphite rubbings, and archival pigment print on Japanese gampi and washi papers
And Beneath the Water the Space of Time Echoes explores the concept of Deep Time through the ancient chert rock beds of the Marin Headlands, which are over 200 million years old. The work seeks to deepen the connection between humans and the Earth by centering a relationship with these once-living rocks, inviting viewers to reflect on the vastness of geological time and our place within it. The project blends photographs, screenprints, and textures from the chert itself, creating abstract arrangements that subtly incorporate elements of the landscape, particularly the ocean — where the chert originated.&#38;nbsp;
 
Read the curators  essay by PJ Gubatina Policarpio and Vanessa Pérez Winder&#38;nbsp;here.
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		<title>So Far So Far</title>
				
		<link>https://art.leahkoransky.com/So-Far-So-Far</link>

		<pubDate>Thu, 09 May 2024 17:13:45 +0000</pubDate>

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&#38;nbsp;


Installation for SF State MFA Thesis Exhibition&#38;nbsp;So Far So Far, May 2024
Archival Inkjet Prints, Gelatin Silver Print, Table, Objects
I am interested in remnants and recurrence, the magical and the mundane, and our connection to space and time. In my studio or in the landscape, I create arrangements using common materials like paper, tape, plaster, and rocks. The resulting compositions are an interplay between objects, sunlight, color, and shadows, revealing something elemental and transitory about a time and a place.
 
Read Sofía Cordova’s essay from the SFSU 2024 MFA thesis catalog here.
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		<title>Every Once and Again</title>
				
		<link>https://art.leahkoransky.com/Every-Once-and-Again</link>

		<pubDate>Fri, 12 Apr 2024 23:59:00 +0000</pubDate>

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&#60;img width="1463" height="2000" width_o="1463" height_o="2000" data-src="https://freight.cargo.site/t/original/i/154be5b7baa3f8766217d4113ac7bd4ecdc45cc1544e53dbd5f62dea64f26601/koransky_6.jpg" data-mid="208847141" border="0"  src="https://freight.cargo.site/w/1000/i/154be5b7baa3f8766217d4113ac7bd4ecdc45cc1544e53dbd5f62dea64f26601/koransky_6.jpg" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b1bcbd6dfc1a26bca9ff2cd2333eac8f83caaf0d2e867984109e52f5972de19a/koransky_7.jpg" data-mid="208847142" border="0"  src="https://freight.cargo.site/w/1000/i/b1bcbd6dfc1a26bca9ff2cd2333eac8f83caaf0d2e867984109e52f5972de19a/koransky_7.jpg" /&#62;
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/62138bf3282908dc99d663c7b154a23bccd6c7d73a0fa8cf06aac93faa5d8aaa/_DSC8250.jpg" data-mid="208847224" border="0"  src="https://freight.cargo.site/w/1000/i/62138bf3282908dc99d663c7b154a23bccd6c7d73a0fa8cf06aac93faa5d8aaa/_DSC8250.jpg" /&#62;
&#60;img width="1522" height="2000" width_o="1522" height_o="2000" data-src="https://freight.cargo.site/t/original/i/88ec5079b329fc7fca98d9326384d7caf4cbde602fa684520bdff672b53e9dac/_DSC9002.jpg" data-mid="208847226" border="0"  src="https://freight.cargo.site/w/1000/i/88ec5079b329fc7fca98d9326384d7caf4cbde602fa684520bdff672b53e9dac/_DSC9002.jpg" /&#62;
&#60;img width="2000" height="1460" width_o="2000" height_o="1460" data-src="https://freight.cargo.site/t/original/i/417e1c5e52e04d8b177a5bc2982569c9273f0147e2ae2f074197a025bb85bdb5/koransky_8.jpg" data-mid="208847143" border="0"  src="https://freight.cargo.site/w/1000/i/417e1c5e52e04d8b177a5bc2982569c9273f0147e2ae2f074197a025bb85bdb5/koransky_8.jpg" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f2c43887410bec7c7863f43a22713b0b68d6feac84f236b72486077746b4f135/_DSC8314.jpg" data-mid="208847225" border="0"  src="https://freight.cargo.site/w/1000/i/f2c43887410bec7c7863f43a22713b0b68d6feac84f236b72486077746b4f135/_DSC8314.jpg" /&#62;
&#60;img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/15b3bfe2c97366f6e3e630d6339cc973e605bba33a5f49fff53900e8b21f847b/koransky_10.jpg" data-mid="208847145" border="0"  src="https://freight.cargo.site/w/1000/i/15b3bfe2c97366f6e3e630d6339cc973e605bba33a5f49fff53900e8b21f847b/koransky_10.jpg" /&#62;
&#60;img width="4912" height="6140" width_o="4912" height_o="6140" data-src="https://freight.cargo.site/t/original/i/a476c8dac0f9ead3dc911bb8a9178be35c9878a0f50a50b77ab2371cc5777377/_DSC0026.jpg" data-mid="210490080" border="0"  src="https://freight.cargo.site/w/1000/i/a476c8dac0f9ead3dc911bb8a9178be35c9878a0f50a50b77ab2371cc5777377/_DSC0026.jpg" /&#62;


Archival Pigment Prints
From the ongoing series Every Once and Again, 2023-2024

Selected images from this series appear in my 2024 MFA thesis exhibition, So Far So Far, at San Francisco State University. See images from the installation here.
</description>
		
	</item>
		
		
	<item>
		<title>Think of Me as a Place</title>
				
		<link>https://art.leahkoransky.com/Think-of-Me-as-a-Place</link>

		<pubDate>Sun, 03 Mar 2024 20:55:32 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

		<guid isPermaLink="true">https://art.leahkoransky.com/Think-of-Me-as-a-Place</guid>

		<description>

&#60;img width="3567" height="4800" width_o="3567" height_o="4800" data-src="https://freight.cargo.site/t/original/i/cec873533ad531d9ea01c9ba421755cb4d369ba7a6949a89eeecd363e40711af/_DSC8145.jpg" data-mid="205957628" border="0"  src="https://freight.cargo.site/w/1000/i/cec873533ad531d9ea01c9ba421755cb4d369ba7a6949a89eeecd363e40711af/_DSC8145.jpg" /&#62;
&#60;img width="1728" height="1153" width_o="1728" height_o="1153" data-src="https://freight.cargo.site/t/original/i/622208b2fd13c166c9195519f6ab29998e89fa4c0b8e03aab08e4de572f1c286/_DSC8150-2.jpg" data-mid="205956708" border="0"  src="https://freight.cargo.site/w/1000/i/622208b2fd13c166c9195519f6ab29998e89fa4c0b8e03aab08e4de572f1c286/_DSC8150-2.jpg" /&#62;
&#60;img width="1728" height="1192" width_o="1728" height_o="1192" data-src="https://freight.cargo.site/t/original/i/68031827f0a41b3bc76269ea255e25f98891866f2bc11326647b9f30db186f3c/_DSC8154-2.jpg" data-mid="205956709" border="0"  src="https://freight.cargo.site/w/1000/i/68031827f0a41b3bc76269ea255e25f98891866f2bc11326647b9f30db186f3c/_DSC8154-2.jpg" /&#62;
&#60;img width="4029" height="3223" width_o="4029" height_o="3223" data-src="https://freight.cargo.site/t/original/i/9dc9be02924ca31555ce0bbf52847f2b3c04edc3c17e960280ab90e816c6e917/_DSC8157-crop-copy.jpg" data-mid="205956994" border="0"  src="https://freight.cargo.site/w/1000/i/9dc9be02924ca31555ce0bbf52847f2b3c04edc3c17e960280ab90e816c6e917/_DSC8157-crop-copy.jpg" /&#62;


Think of Me as a Place, 2023 

Archival pigment print mounted to birch panel, sawhorses, petals, twigs, crystallized calcium carbonate, redwood leaves, plaster casts, fossil, glass, plexiglass, gouache

36 x 48 x 29 inches 


 This work is a topography of the self: a collage of the found, broken, and made. 


Natural and manmade objects rest on top of a photographic print. The photograph is of the same objects printed at a 1:1 scale, creating questions around what’s real and what’s photographic. Through this illusion, the notion of objective photographic truth becomes a site of play and inquiry.
 Installation photos from the 2023 Murphy &#38;amp; Cadogan Award Exhibition</description>
		
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	<item>
		<title>Every Shadow is a Clock</title>
				
		<link>https://art.leahkoransky.com/Every-Shadow-is-a-Clock</link>

		<pubDate>Fri, 25 Aug 2023 19:12:35 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

		<guid isPermaLink="true">https://art.leahkoransky.com/Every-Shadow-is-a-Clock</guid>

		<description>
	
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a0f6ca40eb0a36907378eceb25cda88fce9d85d7d2ac8d25c34cbab6259d3465/koransky_everyshadowisaclock.jpg" data-mid="188907118" border="0"  src="https://freight.cargo.site/w/1000/i/a0f6ca40eb0a36907378eceb25cda88fce9d85d7d2ac8d25c34cbab6259d3465/koransky_everyshadowisaclock.jpg" /&#62;
Solar-printed cyanotype photograms, 10 x 12.5 inches each, 2023
&#60;img width="1252" height="1210" width_o="1252" height_o="1210" data-src="https://freight.cargo.site/t/original/i/9b3bfe1c8a55bc67b1b6bfae157b97d8b52d054ef18a5ffee6afa9af4de24bd3/Screen-Shot-2023-08-25-at-12.18.13-PM.png" data-mid="188919824" border="0"  src="https://freight.cargo.site/w/1000/i/9b3bfe1c8a55bc67b1b6bfae157b97d8b52d054ef18a5ffee6afa9af4de24bd3/Screen-Shot-2023-08-25-at-12.18.13-PM.png" /&#62;
Solar-printed cyanotype photogram, single panel detail (4:30 pm)

This piece records of the sun’s changing angle over the course of a single day. Images shown in the installation are from approximately 11am, 12 pm, 2 pm, and 4:30pm. The parallelogram shape is formed as a result of the shadow of a rectangular object blocking the sun from reaching the light-sensitive paper.


&#38;nbsp;</description>
		
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	<item>
		<title>That space, that garden</title>
				
		<link>https://art.leahkoransky.com/That-space-that-garden</link>

		<pubDate>Mon, 19 Sep 2022 02:21:53 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

		<guid isPermaLink="true">https://art.leahkoransky.com/That-space-that-garden</guid>

		<description>
	

&#60;img width="5479" height="3653" width_o="5479" height_o="3653" data-src="https://freight.cargo.site/t/original/i/07bae6e11cfc83a3a9959ca5f58a6346481354fdaa569222d4cb7fa8abe5cde9/cass-madeline220714-62.jpg" data-mid="153287350" border="0"  src="https://freight.cargo.site/w/1000/i/07bae6e11cfc83a3a9959ca5f58a6346481354fdaa569222d4cb7fa8abe5cde9/cass-madeline220714-62.jpg" /&#62;
&#60;img width="2134" height="1941" width_o="2134" height_o="1941" data-src="https://freight.cargo.site/t/original/i/23ce965b55764bf7b5b5f6708c462fdf042c9360326cfc2314ad1c09ffbf65f3/cass-madeline220714-56-HDR.jpg" data-mid="153287348" border="0"  src="https://freight.cargo.site/w/1000/i/23ce965b55764bf7b5b5f6708c462fdf042c9360326cfc2314ad1c09ffbf65f3/cass-madeline220714-56-HDR.jpg" /&#62;
&#60;img width="1886" height="2500" width_o="1886" height_o="2500" data-src="https://freight.cargo.site/t/original/i/2b633c2baa13a17a60c87e6b2495e7edb14dff52cd78be2b5b85af96fd409f59/Koransky_1.jpg" data-mid="153287493" border="0" alt="Consider The Gesture (Nasturtium), 2022, Cyanotype on Arches Watercolor Paper, 21 x 28 in" data-caption="Consider The Gesture (Nasturtium), 2022, Cyanotype on Arches Watercolor Paper, 21 x 28 in" src="https://freight.cargo.site/w/1000/i/2b633c2baa13a17a60c87e6b2495e7edb14dff52cd78be2b5b85af96fd409f59/Koransky_1.jpg" /&#62;
&#60;img width="4581" height="5928" width_o="4581" height_o="5928" data-src="https://freight.cargo.site/t/original/i/d805332a93690a85d539c7dab7f5e12d01df0efe95f2f1a75b12b34050488171/Koransky_01.jpg" data-mid="210614773" border="0"  src="https://freight.cargo.site/w/1000/i/d805332a93690a85d539c7dab7f5e12d01df0efe95f2f1a75b12b34050488171/Koransky_01.jpg" /&#62;
&#60;img width="4857" height="6684" width_o="4857" height_o="6684" data-src="https://freight.cargo.site/t/original/i/7ca8fce374e78b5add49453bd68fb0518a6c48b634b15eb9cebe70c617bb64fe/Koransky_02.jpg" data-mid="210614875" border="0"  src="https://freight.cargo.site/w/1000/i/7ca8fce374e78b5add49453bd68fb0518a6c48b634b15eb9cebe70c617bb64fe/Koransky_02.jpg" /&#62;
&#60;img width="1395" height="1977" width_o="1395" height_o="1977" data-src="https://freight.cargo.site/t/original/i/e1a2b0aebb81d99000e7ff60129cee75108cd6945900060438310e346ac309a0/Koransky_03_v2-copy.jpg" data-mid="210614869" border="0"  src="https://freight.cargo.site/w/1000/i/e1a2b0aebb81d99000e7ff60129cee75108cd6945900060438310e346ac309a0/Koransky_03_v2-copy.jpg" /&#62;
&#60;img width="4912" height="6357" width_o="4912" height_o="6357" data-src="https://freight.cargo.site/t/original/i/7a04863d9e0b7ec3cafd3c89e64fba1c5021609f542b91a898b0f87c7a6ed1a2/Koransky_a08.jpg" data-mid="205962514" border="0"  src="https://freight.cargo.site/w/1000/i/7a04863d9e0b7ec3cafd3c89e64fba1c5021609f542b91a898b0f87c7a6ed1a2/Koransky_a08.jpg" /&#62;


That space, that garden is a group exhibition from lens-based artists Madeline Cass (NE), Meganelizabeth Diamond (CAN), Leah Koransky (CA), Emily Margarit Mason (NM) and Meg Roussos (WA) exploring the expansive possibilities that are given life when femme and queer perspectives engage with the genre of “landscape.” Though the legacy of this imagery is firmly stamped with terms like “modernism” and “straight photography,” this group of artists uses the tools of photographic history, from the earliest photographic methods to the most postmodern, to investigate the tactility and emotionality of a climate on the brink of catastrophe.

While distinctive in practice, the tools of these artists all overlap; their methodologies and processes are all oriented toward engaging with the land around them as an active co-conspirator. Through their images, these artists do not beg the viewer to “see like me” but rather invite the audience to “see for yourself” or, better yet, “touch for yourself.” —Delaney Hoffman
Press


&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Anthotypes</title>
				
		<link>https://art.leahkoransky.com/Anthotypes</link>

		<pubDate>Wed, 02 Feb 2022 17:34:50 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

		<guid isPermaLink="true">https://art.leahkoransky.com/Anthotypes</guid>

		<description>
	

&#60;img width="2941" height="4125" width_o="2941" height_o="4125" data-src="https://freight.cargo.site/t/original/i/94ffc214e9bc80b13430d3a2d8ad5af5b01fa3bfc8f665f9fd2d1a28385b5d83/05_LeahKoransky.jpg" data-mid="132255111" border="0" alt="A Place Called Elk &#38;mdash; Faded blackberry dye on Arches paper, 7 x 10 in, 2021" data-caption="A Place Called Elk — Faded blackberry dye on Arches paper, 7 x 10 in, 2021" src="https://freight.cargo.site/w/1000/i/94ffc214e9bc80b13430d3a2d8ad5af5b01fa3bfc8f665f9fd2d1a28385b5d83/05_LeahKoransky.jpg" /&#62;
&#60;img width="3112" height="4269" width_o="3112" height_o="4269" data-src="https://freight.cargo.site/t/original/i/2e8a70911522a3ab04def584ef7fc3f06afb1ba12f6b1f5e0afb83e47f7897ab/Chard_Antho2.jpg" data-mid="132255001" border="0" alt="Shadow Study &#38;mdash; Faded chard dye on Arches paper" data-caption="Shadow Study — Faded chard dye on Arches paper" src="https://freight.cargo.site/w/1000/i/2e8a70911522a3ab04def584ef7fc3f06afb1ba12f6b1f5e0afb83e47f7897ab/Chard_Antho2.jpg" /&#62;
&#60;img width="3488" height="4788" width_o="3488" height_o="4788" data-src="https://freight.cargo.site/t/original/i/9439b2aa4bf19b7683b0f6b5c9a1db7d88b367b6444de4e0476ff3a99431c6fd/SummerElegy-LeahKoransky.jpg" data-mid="132255019" border="0" alt="Summer Elegy Faded &#38;mdash; Faded cabbage dye (anthotype) on Arches paper, 7 x 10 in, 2021" data-caption="Summer Elegy Faded — Faded cabbage dye (anthotype) on Arches paper, 7 x 10 in, 2021" src="https://freight.cargo.site/w/1000/i/9439b2aa4bf19b7683b0f6b5c9a1db7d88b367b6444de4e0476ff3a99431c6fd/SummerElegy-LeahKoransky.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/cc101f69869203870859528cc31bc91ad0284bbc8b19907543032d3c65af1ef9/Anthotype_1_Turmeric.jpg" data-mid="132254997" border="0" alt="Fern, Mildred's Lane &#38;mdash; Faded turmeric dye on watercolor paper, 2021." data-caption="Fern, Mildred's Lane — Faded turmeric dye on watercolor paper, 2021." src="https://freight.cargo.site/w/1000/i/cc101f69869203870859528cc31bc91ad0284bbc8b19907543032d3c65af1ef9/Anthotype_1_Turmeric.jpg" /&#62;

Anthotypes, invented by Mary Somerville in 1842, are created by coating a substrate with fugitive plant dye. The coated paper is covered with an object or image printed on transparency and left in the sun. The intentional fading creates an image. These studies have exposure times varying from one day to three weeks and use botanical materials including blackberries, turmeric, chard, and cabbage. I am interested in how the ephemeral qualities of nature can become part of the process of art-making. The physical pieces will fade over time and are kept in very low light; however, high resolution scans of each piece are made as a way to document and archive them.</description>
		
	</item>
		
		
	<item>
		<title>Anthotypes, Cyanotypes, and Solar Printing</title>
				
		<link>https://art.leahkoransky.com/Anthotypes-Cyanotypes-and-Solar-Printing</link>

		<pubDate>Fri, 12 Feb 2021 02:00:28 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

		<guid isPermaLink="true">https://art.leahkoransky.com/Anthotypes-Cyanotypes-and-Solar-Printing</guid>

		<description>
&#60;img width="2698" height="3569" width_o="2698" height_o="3569" data-src="https://freight.cargo.site/t/original/i/a84c88b07201597768f1653c91498077f6e616cf0a2acda427b7954bc35a99ed/LeahKoransky.jpg" data-mid="119354281" border="0" alt="Wildhorse Pass, Nevada &#38;mdash; 8 x 10 in &#38;mdash; Cyanotype on Arches paper" data-caption="Wildhorse Pass, Nevada — 8 x 10 in — Cyanotype on Arches paper" src="https://freight.cargo.site/w/1000/i/a84c88b07201597768f1653c91498077f6e616cf0a2acda427b7954bc35a99ed/LeahKoransky.jpg" /&#62;
&#60;img width="1478" height="2000" width_o="1478" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e0067b2e927b86a26e1e9a093a2b8ac19f17cc1c08c648433d67244f777b10d2/Koransky_2.jpg" data-mid="146917358" border="0" alt="Sun fused to the blue &#38;mdash; 19 x 26 in &#38;mdash; Cyanotype on Arches hot press watercolor paper" data-caption="Sun fused to the blue — 19 x 26 in — Cyanotype on Arches hot press watercolor paper" src="https://freight.cargo.site/w/1000/i/e0067b2e927b86a26e1e9a093a2b8ac19f17cc1c08c648433d67244f777b10d2/Koransky_2.jpg" /&#62;
&#60;img width="1886" height="2500" width_o="1886" height_o="2500" data-src="https://freight.cargo.site/t/original/i/1d885a8020676c16a97f06e0c8bec89cf4ccea660b35bb2280a875636d591cae/Koransky_1.jpg" data-mid="206518581" border="0" alt="Nastirtium, Cyanotype on Arches Hot Press Watercolor paper, 19 x 26 in, 2022" data-caption="Nastirtium, Cyanotype on Arches Hot Press Watercolor paper, 19 x 26 in, 2022" src="https://freight.cargo.site/w/1000/i/1d885a8020676c16a97f06e0c8bec89cf4ccea660b35bb2280a875636d591cae/Koransky_1.jpg" /&#62;


	This ongoing research practice explores the merger of historical photographic processes and new technologies in printing and image production. It started during the pandemic as a way to combine my research into ink-making with hands-on photographic techniques using the sun to expose the prints.

Forms created by sunlight are ephemeral and always changing, yet I am paradoxically drawn to collecting them—almost freezing them in time.&#38;nbsp;
&#60;img width="4693" height="6207" width_o="4693" height_o="6207" data-src="https://freight.cargo.site/t/original/i/460f549c236c2d8e43e3ffb85bb4c0bcb5fb67f477f162eccabe34a7faa2d2af/Koransky_DaysEnd-lo.jpg" data-mid="246646162" border="0"  src="https://freight.cargo.site/w/1000/i/460f549c236c2d8e43e3ffb85bb4c0bcb5fb67f477f162eccabe34a7faa2d2af/Koransky_DaysEnd-lo.jpg" /&#62;Days’ End2023-2025Triptych, 12 x 12.75 inches each Cyanotype Photograms on Arches Platine
	
&#60;img width="3488" height="4788" width_o="3488" height_o="4788" data-src="https://freight.cargo.site/t/original/i/9439b2aa4bf19b7683b0f6b5c9a1db7d88b367b6444de4e0476ff3a99431c6fd/SummerElegy-LeahKoransky.jpg" data-mid="127618975" border="0" alt="Summer Elegy, Cabbage Anthotype, 2022" data-caption="Summer Elegy, Cabbage Anthotype, 2022" src="https://freight.cargo.site/w/1000/i/9439b2aa4bf19b7683b0f6b5c9a1db7d88b367b6444de4e0476ff3a99431c6fd/SummerElegy-LeahKoransky.jpg" /&#62;
&#60;img width="3112" height="4269" width_o="3112" height_o="4269" data-src="https://freight.cargo.site/t/original/i/2e8a70911522a3ab04def584ef7fc3f06afb1ba12f6b1f5e0afb83e47f7897ab/Chard_Antho2.jpg" data-mid="120261625" border="0" alt="Yard Shadows, Chard Anthotype, 2022" data-caption="Yard Shadows, Chard Anthotype, 2022" src="https://freight.cargo.site/w/1000/i/2e8a70911522a3ab04def584ef7fc3f06afb1ba12f6b1f5e0afb83e47f7897ab/Chard_Antho2.jpg" /&#62;
&#60;img width="2941" height="4125" width_o="2941" height_o="4125" data-src="https://freight.cargo.site/t/original/i/94ffc214e9bc80b13430d3a2d8ad5af5b01fa3bfc8f665f9fd2d1a28385b5d83/05_LeahKoransky.jpg" data-mid="205962456" border="0" alt="A Place Called Elk, Blackberry Anthotype, 2022" data-caption="A Place Called Elk, Blackberry Anthotype, 2022" src="https://freight.cargo.site/w/1000/i/94ffc214e9bc80b13430d3a2d8ad5af5b01fa3bfc8f665f9fd2d1a28385b5d83/05_LeahKoransky.jpg" /&#62;


	Anthotypes, invented by Mary Somerville in 1842, are created by coating a substrate with fugitive plant dye. The coated paper is covered with an object or image printed on transparency and left in the sun. The intentional fading creates an image. These studies have exposure times varying from one day to three weeks and use botanical materials including blackberries, turmeric, chard, and cabbage.

	
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		<title>Fragments from an Unknowable Landscape</title>
				
		<link>https://art.leahkoransky.com/Fragments-from-an-Unknowable-Landscape</link>

		<pubDate>Tue, 21 Sep 2021 20:56:33 +0000</pubDate>

		<dc:creator>Leah Koransky Studio</dc:creator>

		<guid isPermaLink="true">https://art.leahkoransky.com/Fragments-from-an-Unknowable-Landscape</guid>

		<description>
&#60;img width="1109" height="1387" width_o="1109" height_o="1387" data-src="https://freight.cargo.site/t/original/i/839a9f0d447de4ad193dfff899b154434761f1689bedbc0196e1086abaa597d4/Fragments_2400x1800_1a.jpg" data-mid="119528046" border="0" alt="Desert Holly with Red Ochre &#38;mdash; 8 x 10 in Archival inkjet print on Hahnem&#38;uuml;hle Museum Etching 350gsm 100% cotton paper &#38;mdash; 3 unique hand-painted prints" data-caption="Desert Holly with Red Ochre — 8 x 10 in Archival inkjet print on Hahnemühle Museum Etching 350gsm 100% cotton paper — 3 unique hand-painted prints" src="https://freight.cargo.site/w/1000/i/839a9f0d447de4ad193dfff899b154434761f1689bedbc0196e1086abaa597d4/Fragments_2400x1800_1a.jpg" /&#62;
&#60;img width="1109" height="1387" width_o="1109" height_o="1387" data-src="https://freight.cargo.site/t/original/i/2a3aff569c7f5d3f18bbb0b80cb2e7e2934bbd25b7a9618e3de0e2c7691608bb/Fragments_2400x1800_4.jpg" data-mid="119528077" border="0" alt="O&#38;ouml;lite with Earth Pigment &#38;mdash; 8 x 10 in Archival inkjet print on Hahnem&#38;uuml;hle Museum Etching 350gsm 100% cotton paper &#38;mdash; Set of 3 unique hand-painted prints" data-caption="Oölite with Earth Pigment — 8 x 10 in Archival inkjet print on Hahnemühle Museum Etching 350gsm 100% cotton paper — Set of 3 unique hand-painted prints" src="https://freight.cargo.site/w/1000/i/2a3aff569c7f5d3f18bbb0b80cb2e7e2934bbd25b7a9618e3de0e2c7691608bb/Fragments_2400x1800_4.jpg" /&#62;
&#60;img width="1109" height="1387" width_o="1109" height_o="1387" data-src="https://freight.cargo.site/t/original/i/283b7a662b0a12a529712201b2c3c369b2319d0349f81e233819ab4fe25e8be0/Fragments_2400x1800_3.jpg" data-mid="119528076" border="0" alt="Sediment with Orange and Purple Ochre &#38;mdash; 8 x 10 in Archival inkjet print on Hahnem&#38;uuml;hle Museum Etching 350gsm 100% cotton paper &#38;mdash; Set of 3 unique hand-painted prints" data-caption="Sediment with Orange and Purple Ochre — 8 x 10 in Archival inkjet print on Hahnemühle Museum Etching 350gsm 100% cotton paper — Set of 3 unique hand-painted prints" src="https://freight.cargo.site/w/1000/i/283b7a662b0a12a529712201b2c3c369b2319d0349f81e233819ab4fe25e8be0/Fragments_2400x1800_3.jpg" /&#62;
&#60;img width="1109" height="1387" width_o="1109" height_o="1387" data-src="https://freight.cargo.site/t/original/i/e60f17f1f461a6d1aa8a3c93ae87b639cb9bac813be23eb34b60155aebbb2d67/Fragments_2400x1800_2.jpg" data-mid="119528075" border="0" alt="Sediment with Orange Ochre  &#38;mdash; 8 x 10 in Archival inkjet print on Hahnem&#38;uuml;hle Museum Etching 350gsm 100% cotton paper &#38;mdash; Set of 3 unique hand-painted prints" data-caption="Sediment with Orange Ochre  — 8 x 10 in Archival inkjet print on Hahnemühle Museum Etching 350gsm 100% cotton paper — Set of 3 unique hand-painted prints" src="https://freight.cargo.site/w/1000/i/e60f17f1f461a6d1aa8a3c93ae87b639cb9bac813be23eb34b60155aebbb2d67/Fragments_2400x1800_2.jpg" /&#62;
These painted prints are part of an ongoing collaboration with artist Justin James King.They use handmade, hand-collected ochre paint over images of objects from geologically siginficant places.I collected tiny amounts of these ochres from areas believed to have formed during the Jurassic period, no less than 140 million years ago. Ochre, in general, is one of the oldest known sources of color used by our human ancestors; it has been found in archaeological sites dating back more than 300,000 years1. More information about ochre as paint can be found via the practice of my teacher Heidi Gustafson&#38;nbsp;here.The prints can be purchased at Deep Time Press.</description>
		
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