2018

100 Days of mark-making
I set out to make a painting every day for 100 days. Using a different brush each day, I also crafted my own botanical inks—a highly variable process with many unknowns.

I set up specific parameters to create discipline for the 100 days: I used roughly the same size and type of paper every day, worked in a condensed, consistent time frame.

The resulting work encapsulates a moment in time, an exploration of materials, and an embrace of imperfection. In a world filled with pressure to always make the perfect choice, it becomes freeing to embrace the unknown. I consider the work as somewhere between making things happen, and letting things happen. I tried consciously to not let mistakes feel like mistakes, but instead portals to discovery.

Handmade botanical inks include:
Loquat leaves (from a Loquat tree in my yard)
Iron gall (oak galls + iron)
Indigo (from various sources)
Avocado pit (from compost)
Oxalis (sourgrass – an invsive weed in the Bay Area)

A selection of the pieces were shown in a solo show at Morningtide in Albany, CA.

Installation photos by Lisa Jackson

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